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Archive for February, 2011

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Feb 06

February Tutorial – Leading Lines

As I said earlier, we will be running the January and February photo assignments concurrently. On Thursday, I talked about Symmetry and Patterns in composition. Today, you’re going to learn about using lines effectively in your images’ compositions.

There are various types of lines that can be used when composing photographs to create visual impact. They can add depth, draw the viewer’s eye to a focal point or area of interest, and they can often elicit moods in photographs by giving the illusion of motion.

Various types of lines used include vertical, horizontal, diagonal, curved and converging lines.

Vertical:

These type of lines are easy to find in our photos: buildings, trees and standing subjects are all indicative of a vertical line.  Note how in the following photo, the sailboat masts draw your eye up into the white space, or sky, in this case:

Taken with Nikon D300S and 18-105mm f/3.5-5.6 VR lens at f/8, 1/400 sec., ISO 200

Horizontal:

This type of line naturally occur in images and usually elicit feelings of tranquility or stability.  Horizons, sunsets, shorelines, even your subject laying in the grass are all examples of horizontal lines.  These horizontal lines, often set in the lower or upper half of the photo (as per my September tutorial on the Rule of Thirds), act to anchor the rest of the image.

Taken with Nikon D70 and 18-70mm f/3.5-4.5 lens at f/3.5, 1/60 sec., ISO 200

Sometimes, an image of a horizon can seem boring when it is not broken up by other objects.  Not in the case of the photo above, where the landscaping on the left and the boats dotting the horizon, break up the scene and keep it from remaining static.

Diagonal:

Diagonal lines in an image give a sense of motion or energy to a photo.  They can also point your reader to your subject of interest, such as the rays of sunlight lead your eye directly to the ship, in this beautiful photo by Ken Schulze.

Taken with Nikon D300

Curved:

Curved lines denote beauty and gracefulness in an image, especially when it is leading to a focal point, as the rock breakfront in this image draws you to the lighthouse in this image:

Taken with Nikon D80 and 18-135mm VR lens at f/13, 1/640 sec., ISO 400

Another curved line is the “S” curve.  According to William Hogart, in his book, The Analysis of Beauty, the “S” curve is referred to as the Line of Beauty.  You can see it over and over again in paintings and drawings – and photography is no exception.  Look at the beautiful lines of the instrument in this image by Kent Landerholm – not only is the ”S” curve represented by the shape of the instrument, but also in the F-hole :

Taken with Nikon D80

Converging:

Converging lines convey depth and distance.  The human eye is naturally drawn to converging lines, so including them in your photo increase its’ impact and interest.  You can use railway tracks, fence lines, , roads, pathways, stairs or any other set of parallel lines, such as this boardwalk at my local marina:

Taken with Nikon D80 and 18-135mm f/3.5-5.6 lens at f/11, 1/500 sec., ISO 400

As you may have noticed from the above examples, lines occur naturally in  our environments – it’s up to us to train our eyes to look for them when composing our photos.   So grab your camera and look around and try to become aware of naturally occuring lines.

February 2011 photography assignment:

Using the February tutorial as a guide, capture lines in your images to enhance composition.  Explore your surroundings and look for various types of lines.  As always, if you have any questions, please leave me a comment on this post, or email me at sue {AT} canadianscrapbooker {DOT} ca.

Deadline:  11:59 pm EST, February 28th, 2011

PLEASE NOTE THE FOLLOWING: 

1) Because the whole purpose of the tutorial is to get you to experiment with your camera, submitted photos must have been taken between January 7th and February 28th, 2010, inclusive.  Photos that do not meet this criteria may be shared on the blog but will not be eligible for our contest. 

2) Please send original-sized photos – I will size them for our blog. 

3) And PLEASE don’t forget to  include your camera settings, including camera used, f/stop, aperture and ISO settings for your image in the Comments section of the submisson form!  Submissions that do not include this info may not be posted on the blog  or included in the prize drawing.

Please submit your photo, using only our submission form (no emails, please!), for a chance to be entered into our draw to win an awesome prize.   A randomly chosen entry will be drawn after the deadline.  Please note – submissions that are not relative to the tutorial and/or do not abide by these rules will not be posted on the blog, or entered into the draw.  Please click HERE to review the rules regarding this draw BEFORE submitting.

Our prizes for both the January and February photo assignment contests will be revealed shortly!

Happy Clicking!

Feb 03

January Tutorial: Symmetry and Patterns

Thanks for your patience, while we switched servers!  I’ll be posting January’s tutorial today, and will follow up with February’s tutorial tomorrow – deadline for both photo assignment will be the same and we’ll draw TWO prizes this month – once for each photo assignment!

Today, we’re going to learn about symmetry and patterns in your composition. Both can be used, either together or independently for effectiveness in composing your shots.
Symmetry in a photo is when both sides of an image, either vertically or horizonally, are of equal weight. That is to say that while they can be symmetrical in actual content, like this image:

Mount Rainier reflected in Mirror Lake (from the University of Washington Libraries)

Similarly, a photo can be considered symmetrical even though it is not identical, if it is weighted equally on the horizontal or vertical axes, such as in this photo by Kevin Steele:

Neighbours by Kevin Steele. Taken with Olympus D600L.

Both left and right sides are equally weighted by stairs, door and mailbox, even though they are not identical.  However, there is a big difference in the symmetry in this photo:  the dog.  Having a break in symmetry like this in a photo can be just as effective.  It provides a resting point for the viewer’s eye as he is perusing the image.

Consider this beautiful photo by Fabio Montalto (Wagman_30):

The Orange Chapel. Taken by Fabio Montalto with Nikon D200.

The perfect symmetry of this composition is offset by the little orange trash receptable in the lower right hand corner.  This illustrates that sometimes, breaking up the symmetry can prevent a photo from becoming ordinary in its symmetry.

Similarly, patterns can enhance a photo’s composition with their presence or an abrupt break in one.  Repetition can be used effectively in photography.  One method is to emphasize the pattern by capturing it in your scene, such as in this image by Christopher Rose (khowaga1):

Repetition by Christopher Rose (khowaga1). Taken with Canon EOS DRebel XTi

 Just as effectively, a break in pattern can offer relief from the pattern and lead the viewer’s eye through the image, as in this photo:

Taken with Nikon D80 and 50mm lens at f/1.8, 1/50 sec., ISO 200

Finding patterns and symmetry in our lives is not difficult – they can be found everywhere.  We just need to “train” our eyes to look for it through our viewfinder.  So get out your camera and look at your world through new eyes – and send us your images with symmetry and patterns!

January 2011 photography assignment:

Using the January tutorial as a guide, photograph patterns or symmetry around you.  Explore your surroundings and try to photograph both styles – with a break in symmetry or pattern and without.  As always, if you have any questions, please leave me a comment on this post, or email me at sue {AT} canadianscrapbooker {DOT} ca.

Deadline:  11:59 pm EST, February 28th, 2011

PLEASE NOTE THE FOLLOWING: 

1) Because the whole purpose of the tutorial is to get you to experiment with your camera, submitted photos must have been taken between January 7th and February 28th, 2010, inclusive.  Photos that do not meet this criteria may be shared on the blog but will not be eligible for our contest. 

2) Please send original-sized photos – I will size them for our blog. 

3) And PLEASE don’t forget to  include your camera settings, including camera used, f/stop, aperture and ISO settings for your image in the Comments section of the submisson form!  Submissions that do not include this info may not be posted on the blog  or included in the prize drawing.

Please submit your photo, using only our submission form (no emails, please!), for a chance to be entered into our draw to win an awesome prize.   A randomly chosen entry will be drawn after the deadline.  Please note – submissions that are not relative to the tutorial and/or do not abide by these rules will not be posted on the blog, or entered into the draw.  Please click HERE to review the rules regarding this draw BEFORE submitting.

Our prizes for both the January and February photo assignment contests will be revealed shortly!

Happy Clicking!

Hands On Photography
A Canadian Scrapbooker Feature – by Sue Sykes

  • Click here to visit canadianscrapbooker.ca

  • About Sue

    Sue has been behind a camera for more than 25 years, working professionally as a photographer for the last ten years. While she began the hobby of scrapbooking in 2000, as a complement to her photographer career, it soon grew into a rival passion! Sue loves to enlarge one of her favourite photos and make it the focal point of her page, using her supplies to bring the focus onto her photography. She has, in recent years, turned more to scrapbooking "moments" rather than "events", choosing to leave her children more insight into her point of view of their lives.



    Sue has been married to her best friend, Gary, for over 10 years and has two children, Connor and Aili. She considers herself very fortunate to be so lucky to work not only for herself, but also to be involved with Canadian Scrapbooker - both of which combine her passion for scrapbooking and writing!

    CONTACT SUE: sue@canadianscrapbooker.ca

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    Fall 2009: Exposure
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