Today, I’m going to share photos that Lesley Langdon, of ON, took of her daughter, using our front and side lighting tutorial.
Taken with Canon EOS 40D at f/3.5, 1/20 sec., ISO 800 (Front Lighting)
Taken with Canon EOS 40D at f/3.5, 1/20 sec., ISO 800 (Side Lighting)
I love the freckles! Lovely work, Lesley – thanks for sharing!
Tomorrow, I will share another submission from Melanie Smith – please join us to see!
Cheers,
To everyone who has submitted a photo for this assignment, thanks for your patience! Because there are so many, I will post them over the next few days.
Lee-Anne Thorton, of AB, sent me these two photos for her assignment this month:
Taken with Canon EOS 30D at f/4.5, 1/40 sec., ISO 100 (Front lighting)
Taken with Canon EOS 30D at f/4.5, 1/40 sec., ISO 100 (Side Lighting)
Notice how the side lighting adds depth to the flowers and highlights their delicate petals? Beautiful! Thanks for your submission, Lee-Anne!
Check back tomorrow when I will have a submission from Lesley Langdon. Until then…
Cheers,
Sorry for the slight hiatus in posting, everyone! I have been busy working on preparing my Hands On! photography workshop that I taught at ScrapFest this past weekend – I finally had a chance to meet my very talented and lovely Canadian Scrapbooker teammates, Connie Nichol and Cathie Allan!
Photo by Holly Attfield
Of course, in the process, I neglected to update with some incredible submissions that we have been receiving for our March/April assignment! There’s still time for you to send me yours – wouldn’t you love to take home one of our two prizes for which we are drawing?!?!?
I am working on a post and will have new submissions uploaded by Thursday – thanks for your patience!
And to my ScrapFest workshop participants, thanks so much for an incredible experience! You were a great group! I hope you will submit some of your photos, showing off your newfound knowledge! 
I’d also love to see any photos you may have taken of our class as I didn’t get a chance to snap any!
Melanie Smith, of NL, is starting us off this month with our Front/Side Lighting assignment – isn’t her subject so adorable!?
Front Lighting: Taken with Canon EOS Digital Rebel XT at f/2.2, 1/80 sec., ISO 200
Side Lighting: Taken with Canon EOS Digital Rebel XT at f2.2, 1/80 sec., ISO 200
Front Lighting: Taken with Canon EOS Digital Rebel XT at f/2.2, 1/80 sec., ISO 200
Side Lighting: Taken with Canon EOS Digital Rebel XT at f/2.2, 1/60 sec., ISO 200
Note the subtle changes in Melanie’s photos by the different lighting directions.
Thanks for submitting, Melanie – your handsome little guy is sure to break a few hearts in the future!
So, what is everyone else waiting for? I know that we have a nice, long deadline for this assignment but remember, for each submission, you will receive a ballot PER PHOTO! That’s doubling your chances to win that awesome prize from Clearsnap right there! Plus, if you start early – you can send in more submissions! There is NO LIMIT to the number of photos that you send me for each assignment, provided that they are relative to the assignment and follow the rules and regulations.
So get out there, and enjoy the sunshine – but bring your camera along!!
This month, we have TWO prizes to give away!
For each photo you submit (and remember, you have to send me at least TWO submissions – a subject photographed with both FRONT and SIDE lighting), you will receive a ballot to be entered into a random drawing for one of two great prize packs from Clearsnap:
Each prize pack contains a Colour Catcher and 2 colours of our choice of Smooch Spritz!
It’s easy to win – just read Part I and Part II of the Mar/Apr tutorial and submit your photos to me by April 30, 2010!
Welcome to Part II of the March/April combined tutorial! Yesterday, I wrote about front lighting and its’ characteristics; today, I’m going to write about side lighting – our assignment this month will have a bit of a twist, so read on!
Side lighting, as the name implies, refers to lighting that is directed towards your subject from either the right or left sides. It is more effective than front lighting for many situations in that it effectively uses shadows to reveal texture and depth in your photos.
Consider the following landscape:
Taken with Nikon D60 at f/5.6, 1/500 sec., ISO 360
One of my favourite barns that I’ve come across, this photo captures the texture of the wood panels and faded roof paint, while effectively casting the right side of the barn in shadow. The light source was the setting sun, hitting the left side of the barn. A bit of useless trivia – this photo was taken with me and my camera, hanging out the car window, driving up to Collingwood for a weekend getaway. Don’t worry – the camera strap was wrapped around my wrist about three times! Oh, and I was the passenger, not driver!
Side lighting is not only useful in photographing older subjects, but it is equally capable of capturing children. In the following photo, the side lighting from our front window highlights my daughter’s fine flyaway hair, capturing what we referred to as her “crazy hair” effectively, preserving the memories:
Taken with Nikon D70 at f/4, 1/250 sec., ISO 200
Side lighting can be effective in candid and sport photography as well. I snapped this photo of my son coming up for air, during warm ups at his Regionals meet. The pool had one entire wall made of windows, which made this photographer mama VERY happy! The fast shutter speed, combined with the lighting, captures the water sluicing off his face, and the water droplets as he came up.
Taken with Nikon D90 at f/5.6, 1/320 sec., ISO 640
As well, side lighting is crucial for striking black & white photography. Black & white photography uses a mixture of grey tones to capture your subject so lighting is particularly important because in my opinion, it is the effect of shadows on the subject that causes photos to become extraordinary.
With the event of digital photography, it doesn’t matter if your photos were shot in colour or black & white. PhotoShop and other photo processing software allows us to convert our photos, using actions or various features. So it is especially important to get the lighting correct for your photos, for you may decide later to convert them to black & white or sepia.
Look at the following photos of my daughter. In this first photo, Aili is laying on our bed, facing the patio doors. Frontal lighting provides great exposure and while the expression is adorable (okay, so I’m biased! ), it looks flat and two-dimensional.
Taken with Nikon D70 at f/3.5, 1/40 sec., ISO 200
Because of the clashing of our deep red walls with her pink sleeper, I chose to convert this photo to black & white, using Adobe PhotoShop Creative Suite 4.
Taken with Nikon D70 at f/3.5, 1/40 sec., ISO 200
Again, adorable (in my opinion!) and there are good catchlights in her eyes, but the overall appearance is flat and lacks depth.
Now, note the following photo. I carefully propped Aili up and turned her perpendicular to the doors. Sitting on the floor next to her (with one hand on her thigh!), I managed to capture this photo:
Taken with Nikon D70 at f/4.5, 1/40 sec., ISO 200
I love the depth in this photo, with the dark shadowing on the right, but still managing to capture the catchlights in her eyes, not to mention those chubby cheeks!
Now, because side lighting tends to produce these shadows, it is important to consider your subject. If an overall exposure is desired, you can lighten your shadows by using a reflector of some sort, to bounce the lighting towards the back of your subject.
In the following photo shoot, I asked the couple to stand in front of the window at a 45 degree angle. While the lighting on Mom-To-Be is effective, Dad is cast in her shadow a bit.
Taken with Nikon D70 at f/4, 1/60 sec., ISO 200
So I set up a large piece of white foam core to act as a reflector and bounce some of the side lighting onto Dad. This is what it look like:
Photo shoot set-up
We will be discussing reflectors and bouncing light in later tutorials, but it’s important to remember that light reflects OFF a surface at exactly the same angle at which it hits the reflective surface. So when setting up a reflector, remember to position it accordingly. You can usually see the reflected light on your subject so use your eyes as your guide.
This was the result of using a reflector:
Taken with Nikon D70 at f/4, 1/60 sec., ISO 200
So I’ve discussed various effects of side lighting – now how do you get it? Well, it’s pretty straightforward – just position your subject so that your light source, whether it be natural light from a window, the sun or even headlights, strikes from the side. Consider your subject when choosing your camera settings. You can use your information gained from the previous tutorials or use your camera’s electronic analog exposure display (in your viewfinder display) to determine exposure and aperture. We will discuss the electronic exposure display more later on, but your camera’s manual should contain information on it, if it’s an available feature.
Now for the fun part!! I decided to combine the March and April tutorials for a couple of reasons. First, because of the technical changes, I am posting this tutorial later in the month, which leaves less time for your March submissions. And secondly, I think that combining the two tutorials will be an effective teaching aid in that it will allow you to photograph the same subject with two different lighting scenarios. What better way to see the effects of both!?
Your March/April assignment:
Using both March/April tutorials as a guide, photograph a subject with both FRONT and SIDE lighting. This may involve moving your subject, moving your feet, or photographing the same scenario at different times of the day. Then submit BOTH of your photos to me to be eligible for our draw. Remember, your photo will be of the same subject – but with different lighting directions! As always, if you have any questions, please leave me a comment on this post, or email me.
Deadline: 11:59 pm EST, April 30th, 2010
Because you have to submit TWO photos, I’m giving you an extra month! Please submit your photo, using our submission form only, for a chance to be entered into our draw to win one of two prizes. Yep, you heard right!! We’re combining our tutorials but we’re going to have TWO winners! A randomly chosen entry will be drawn after the deadline. Please click HERE to review the rules regarding this draw BEFORE submitting. Please note – submissions that are not relative to the tutorial and/or do not abide by these rules will not be posted on the blog, or entered into the draw. Don’t forget to include your camera used, along with your camera settings for BOTH photos in the Comments section of the submisson form!
Our March/April prize packs will be revealed shortly!
Happy Clicking!
In the Spring 2010 issue of Canadian Scrapbooker magazine, I discussed three directions of lighting: front, side and back. This month, we will do something different - I will be discussing both front and side lighting and their different effects! Today we will talk about front lighting.
Front lighting is exactly as described: lighting that is directed toward the front of your subject. It is very easy to use and can come from many sources: on-camera flash, sunlight from behind the photographer, and directed studio lighting to name a few. Front lighting generally results in bright, well-lit photos:
Taken with Nikon D70 at f/6.3, 1/160 sec., ISO 200
Despite its’ ease of use, professional photographers do not tend to use it very often, or only in particular settings. Front lighting will cause your subject to appear flat, losing the illusion of texture. It is for this reason that it is sometimes referred to as “flat lighting”. It is particularly effective in landscape or architectural photos, like these, where there is a need for uniform lighting:
Taken with Nikon D60 at f/9, 1/200 sec., ISO 100
Taken with Nikon D70 at f/10, 1/200 sec., ISO 200
Oftentimes, during portrait photography, front lighting in the form of sunlight will cause your subject to squint:
Taken with Nikon D70 at f/5.3, 1/800 sec., ISO 200
Taken with Nikon D70 at f/10, 1/400 sec., ISO 640
Taken with Nikon D70 at f/4.5, 1/60 sec., ISO 200
Check back tomorrow for the tutorial on Side Lighting and your March/April assignment!
Cheers!
Sue has been behind a camera for more than 25 years, working professionally as a photographer for the last ten years. While she began the hobby of scrapbooking in 2000, as a complement to her photographer career, it soon grew into a rival passion! Sue loves to enlarge one of her favourite photos and make it the focal point of her page, using her supplies to bring the focus onto her photography. She has, in recent years, turned more to scrapbooking "moments" rather than "events", choosing to leave her children more insight into her point of view of their lives.
Sue has been married to her best friend, Gary, for over 10 years and has two children, Connor and Aili. She considers herself very fortunate to be so lucky to work not only for herself, but also to be involved with Canadian Scrapbooker - both of which combine her passion for scrapbooking and writing!
CONTACT SUE: sue@canadianscrapbooker.ca
